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KH – Pinnacle Bank 2010

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In 2010, KarshHagan tapped the talents of director Tony McNamara of Futuristic Films, and the team at Crosspoint to deliver another beautiful broadcast campaign for Pinnacle Bank. Tony shot Super 35mm, and the negative was transferred with a flat-pass look to HDCam. Tom Welborn edited in AVID Media Composer and Eric Anolin worked the Baselight color grade. Donald Corsiglia conformed, composited and finished in AVID DS. Original music composition by KH’s own Matt Nasi. agency | KarshHagan production | Futuristic Films edit | Tom Welborn, Crosspoint color | Eric Anolin, Crosspoint online + fx | Donald Corsiglia, Crosspoint music | Matt Nasi, KH

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20/20 Institute

In 2010, we finished two broadcast campaigns for blue onion and 20/20 Institute. The client message was delivered by celebrity sports figures in the Indianapolis and Denver markets. blue onion’s Tom Baldonado and Mike Heinrich travelled to the practice facilities of the Indianapolis Colts to shoot a series of spots with NFL super-mascot Blue, and his handler. Darick D’ercole shot Sony F900. agency + production | Tom Baldonado, Mike Heinrich and Darick D’ercole, blue onion edit | Steven Lopez, Crosspoint color | Eric Anolin, Crosspoint sound | Kirk Claussen, Crosspoint Shot on location at the Ice Ranch in Littleton, Colorado. We filmed all of the skating/shooting/puck-handling footage on RED with Ryan Dunn, our body-double (and hockey teammate of Crosspoint colorist Eric Anolin). Paul Stastny finished the day on the ice with on-camera stand-ups, voice recordings and still photography. agency + production | Shawn Roberts, Mike Heinrich and Darick D’ercole, blue onion edit | Matt Struck, Crosspoint color | Eric Anolin, Crosspoint sound | Kirk Claussen, Crosspoint

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Pinnacol Assurance – Hands

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When KarshHagan was asked to make a new spot for Pinnacol Assurance, they reached out to the best talents in Denver to execute their vision. Karsh’s ode to working hands was shot by Futuristic Film’s Tony McNamara on RED, Crosspoint’s Donald Corsiglia completed both the off-line and on-line edits in AVID DS and CO3 in Santa Monica, CA completed the final color. Audio was finished at Rocky Mountain Recorders.

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Wyoming Department of Health

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Sukle Advertising & Design partnered with Futuristic Films to produce and shoot a series of spots pleading to the smokers of Wyoming. The spots were shot on Canon 5DMkII HDSLR and off-lined at Futuristic. The spots were then color-graded at Crosspoint by Senior Colorist, Eric Anolin, in Baselight. Final Cut Pro conform and online edit was done by Luke Bishop. Peep the HD Goodness below. agency | Sukle color | Eric Anolin, Crosspoint finish edit | Luke Bishop, Crosspoint

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On Set: Cactus/Colorado Lottery

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Matt and I are tech consulting for the latest Cactus/Colorado Lottery spot.  This will be our first project shot on the ARRI Alexa. The production company, Twist, will record ProRes 4444 LogC to SxS cards, cloned to LaCie ruggeds.  Matt will offline and finish in AVID MC5 via AMA.  I’ll conform an AAF to the original ProRes files, and finish the color grade in Baselight, using a LUT provided by ARRI. The spot will feature 3D animation by Fuse. The location is a recently shuttered jewelry store on Clayton Lane in Cherry Creek North. prod co | Twist vfx | Fuze

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Rocky Mountain Health Plans

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Luke Bishop edited a recent Rocky Mountain Health Plans TV campaign for CCT Advertising. The commercials were shot in 2 days in several Colorado locations, including Idaho Springs, Empire and Silver Plume. Theresa Wingert of Planet Dog Media shot Canon 5DMkII and 7D HDSLR. client | Rocky Mountain Health Plans agency | CCT Advertising production | Planet Dog Media fcp edit | Luke Bishop, Crosspoint additional post | cinelicious, Rocky Mountain Recorders

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Westfield Company introduces 1800 Larimer

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Crosspoint and blue onion provided beginning-to-end production and post for Westfield Company’s opening of 1800 Larimer, the newest addition to the Downtown Denver skyline. A technologically-advanced office tower, 1800 Larimer is LEED Platinum certified and represents the future of urban office space. The project was truly all hands on-deck: Scott Tuke shot interiors, interviews, exteriors and using Sony HDCam F900; and Luke Bishop and Mike Heinrich contributed 2nd unit photography on Sony EX3. Matt Struck edited 5 video pods on Final Cut Pro and Adobe Affter Effects, for presentation on multimedia kiosk and web. Donald Corsiglia created 3D and motion graphics effects in Cinema 4D. Steven Lopez added additional 3D work with Google Earth Pro and SketchUp. Eric Anolin applied final color grades in Baselight.

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