r3d Archives - Crosspoint

Victory “Fuel it”

February 25, 2010August 7, 2017

Baselight, color grading, Filmlight, r3d, RED

[stream base=x:/www.crosspoint.com/wp-content/uploads/2010/02/ flv=Victory-Fuel-it.flv hd=Victory-Fuel-it.flv embed=false share=false width=450 height=253 dock=true controlbar=over bandwidth=high autostart=false /] Integer Group chose Post Modern, Coupe Studios and Crosspoint for the latest commercial for Victory Motorcycles. The footage was shot entirely on RED ONE at 4K. Jason Sedmak (Post Modern) cut on Avid Media Composer (using Metafuze to transcode the .r3d files to .mxf). Eric Anolin conformed the 4K .r3d files + AVID .aaf in Baselight. Crosspoint delivered 12-bit, 4k .dpx files, and Sedmak finished the spot in Autodesk Smoke. Coupe Studios composed the original music. edit/fx | Jason Sedmak, Post Modern color | Eric Anolin, Crosspoint original music | Coupe Studios

Focus on the Family Tebow

Focus on the Family partnered with Tim Tebow and his family to produce the organization’s first Super Bowl commercial. Steve Vidano shot on a RED camera; and he and Paul Murphy edited on Final Cut Pro. Crosspoint’s Baselight color grading system gave them the power to conform the Final Cut timeline from the raw .r3d files and manipulate the images at full 3K resolution. The spots were delivered on HDCam SR for the CBS broadcast. agency | Focus on the Family production co | Vidano Films edit | Paul Murphy and Steve Vidano conform | Steven Lopez, Crosspoint color | Eric Anolin, Crosspoint